So… I was somewhat looking forward to the above upcoming Superman one-shot. It was written by Martin (“Marty”) Pasko as part of DC’s nostalgia-driven “Retrograde” mini-event this month – a last hurrah before the big line wide reboot coming next month. It’s a series of one-shots that’s supposed to feature artists and writers (when available) who worked on various DC characters in the 70s, 80s, and 90s writing those same characters again in stories set in those decades, and presented as if they were written and drawn back then. This event was announced back in April, well before the reboot news hit, but it’s obvious looking back that they planned it to sequence this way. (The reboot, of course, should have hit back in 1985 after Crisis on Infinite Earths, but that’s another blog post.)
Marty Pasko wrote Superman stories in the late 70s / early 80s, back when the character was under the editorship of Julius Schwartz. Julie’s Superman was my first Superman, and was possibly one of the worst interpretations of the character in his history, usually only tolerable when Curt Swan was on art duties. Still, I couldn’t / can’t stop reading it. You read one, and it’s, like, “That was complete shit! Maybe I’ll buy another one!” “DC Retroactive: Superman – The 70s” is the kind of comic they make for guys just like me.
But, the thing is: I am now boycotting this comic.
Yes, you heard me right, Crime Fans. Pick yourselves up off the floor. I’m boycotting it! There’s no way I’m even flipping through this thing any more. Why? Because of recent comments by Marty Pasko about Teenage Mutant Ninja Turtles:
If you REALLY wanna interview someone who’s a creator of TMNT as we know it, f*** Eastman & Laird; talk to David Wise
TMNT was a lame, amateurish B&W indie when TV ani producer Fred Wolf bought the option for chump change. No key TMNT branding element came from Eastman or Laird–not Turtles’ personalities or any shtik like pizza thing. Every TMNT thing that was leveraged 4 big licensing bux came from the cartoon, not the stupid, insipidl B&W indie comix. TMNT works almost exclusively thanx 2 creative innovations by the brilliant David Wise
How do I know all this? I wrote the 3rd TMNT episode of the ongoing series (i.e., after David Wise’s 5-part “pilot”) & a few more TMNTs, & I can swear that what made TMNT huge & famous was what David brought to it. Why? Bcoz I consulted comix AS WELL AS David’s pilot script & bible & the comix were useless as ref. 4 series that estabed property. Fanboys hate hearing this, but most peeps who get “Created By” cred have high-powered lawyers who fuck over collaborators.
Whoa, whoa, whoa! Slow down there, Marty.
1) However “lame” or “amateurish” or TMNT might have been, I don’t think Pasko should be going around pointing fingers when at the same period of time he was writing complete fucking corporate rubbish aimed at six-year-olds. At least TMNT was self-published.
2) How much more artistic merit did TMNT the animation have over TMNT the comic? I mean, really? This is like Pac Man The Cartoon (the pot) calling Pac Man the Game (the kettle) black.
3) How much of the Superman comics of the 70s got used in the Christopher Reeve movie?
4) Most Importantly: TMNT inspired the catastrophic self-publishing boom and bust of the 80s from which comics never full recovered. But that Turtles money also led to foundation of:
a) The Xeric Foundation, which helped dozens of now-vital cartoonists get on their feet.
Eastman and Laird – whatever their missteps – have been vital to the development of alternative comics, and they deserve respect for that. What has Pasko done for the development of comics as an art form? Nothing. With “Retroactive,” Pasko is going back to the artistically bankrupt corporate sludge gutter once again, so you deserve the fucking, Mister Pasko, not Eastman and Laird.
P.S. Even though he’s writing the Punisher and I suffer from Punisher-itis, I boycotted all of Jason Aaron’s comics a while back too. Though for different reasons, you can probably guess why.