I asked him about the Madman movie, and he said, “All I can tell you is the potential director’s initials are DH.” I said, “D.H. Lawrence?!” and he said, “Who?!”
He seemed slightly reluctant to have to draw Rasputin for some reason…
One of my favorites of these. It’s amazing how much expression he gets out of so few lines, and yet he’s known for his hyper-detailed style.
I wanted a Punisher. He was, like, “Man, the Punisher is a dead character!” I was, like, “O-okay, Mr Texiera. Vampirella then please!”
Unusual to see anything by Brom in just pen-and-ink instead of fully painted!
Eddie seemed slightly annoyed to see me walking around wearing a From Hell shirt, and asking him to sign From Hell books. He seemed disappointed that I wasn’t into Bacchus, but I did end up buying three tpbs off him!
I wanted a Punisher. He was, like, “I never drew that character!” I was, like, “O-okay, Mr Aragones. Superman then please!”
I wanted an Abby, but my friend warned me beforehand that Bissette didn’t like doing sketches of her because she was hard to draw. But I figured I’d give it a shot. First, I got him to sign my copy of Swamp Thing #21 (“The Anatomy Lesson”) and I told him about how I’d recently bought page 1 of that issue (it is the one piece of original art I own). He asked me how much I paid for it. I said, “$900” (this was pre-eBay, remember.) Bissette: Poker face. So then I asked for an Abby sketch, and he was, like, “Wellll…” So I quickly said, “How about a Swamp Thing?” He said, “Okay, but can you go get me a Coke?” So I went and bought him a Coke, and when I came back this beautiful drawing is what was waiting for me! Thank you, Mr. Bissette!!
He was the first creator I met at the show, and the only one I got my picture taken with. For better or worse, ROBOTECH has had an abnormally huge effect on my life. I was sadder than I should have been when he passed. He died at age 58. Meaning he must’ve been about 33 when he produced Robotech. Wow.
Mark Millar had just finished his run on Swamp Thing, which I absolutely loved, but he was still relatively unknown in the US. I was determined to meet him to talk about his Swamp Thing work, but he never seemed to be around the first day or two. Finally, he was signing at the DC booth. At the table were Grant Morrison — at the peak of his super-popular JLA run — on the left, and Millar on the right. The mega-line was feeding into Grant (JLA artist Howard Porter may have been there too), and people would theoretically then travel along to Mark. Nuh uh. People would get Morrison to sign their stuff and then veer off into the ether. Millar was sitting there looking bored, and to be honest, a little sad — hard to imagine these days, I know! Anyway, so I’m in the line. Finally, I get to Morrison and I walk right past him to Millar. Morrison looks slightly taken aback — whether at being ignored or Millar getting eager attention, I don’t know. Millar is slightly shocked by the crazed fan too. In any case, we had a great lengthy chat (as far as Comic Con goes) about the whole legacy of Swamp Thing and his wonderful work on the series and he seemed to really appreciate my support too. Unfortunately, I haven’t liked much of what I’ve read of Millar’s work since, but that was always one of my favorite con memories. And who knew he could DRAW Swamp Thing so well to boot!